Art + Feminism
Wikimedia Foundation found that less than 10% of its contributors identify as female.
While the reasons for the gender gap are up for debate, the practical effect of this disparity is not. It represents an alarming absence in an increasingly important repository of shared knowledge.
Mathilde ter Heijne hosts the special edit-a-thon in collaboration with ƒƒ. This is an extension of an event held on March 6th, 2016 at Dorothy and Lewis B. Cullman Education and Research Building in MOMA.
Sunday March 20th 2016
13:00 – 18:00
Haus am Lützowplatz, Berlin/ Germany,
Within the exhibition „It Will Be!“ by Mathilde ter Heijne
Art Press, Ute Weingarten
It Will Be! gets written and followed by Art Press in Wie Gemeinschaft entsteht, an interview with Maritta Seitz and Mathilde ter Heijne.
Art in Berlin
It Will Be! project at Haus am Lützowplatz gets written up in Art in Berlin by Inge Pett in an article called Flower Frauen Power im Haus am Lützowplatz.
IT WILL BE!
It Will Be! is a project conceptualized by artist Mathilde der Heijne in conjunction with professional textile artists and designers, as well as diverse handicraft groups from different social, political, religious, and cultural contexts. Its presentation at Haus am Lützowplatz (the oldest artist association in Berlin) is organized together with Mama Afrika e.V and is an extension of Mathilde ter Heijne’s project Olacak! (Istanbul 2010) and It Will Be! (Museum für Neue Kunst, Freiburg 2014).
Exhibition: March 18th– June 5th, 2016
Opening: March 17th, 7pm
Haus am Lützowplatz
Fördererkreis Kulturzentrum Berlin e.V.
Tuesday to Sunday, 11–6pm
Atopia: Migration, Heritage and Placelessness
Atopia: Works from the Thyssen-Bornemisza Art Contemporary Collection is an ambitious exhibition developed in collaboration with the Museo de Arte Moderno de Bogotá, Colombia. „Atopia,“ a word mainly used in medicine and philosophy, literally means placelessness, out of place, unclassifiable and of high originality. The exhibition focuses on the practices and representations of the ways in which artists have accessed, rehearsed, participated in and negotiated concepts of “place” or “place of origin,” their past, heritage, and cultural ambiguities, with all the dilemmas such notions provoke. The project Woman to Go will be featured.
Exhibition: March 1– June 4, 2016
Museo de Arte Moderno de Bogotá, Colombia
ARCO Madrid 2016
Experimental Archeology will be featured by Waterside Contemporary (London) in ARCO Madrid, 2016 along with Chiara Fumai. The presentation is supported by Mondriaan Fonds and Embassy of the Netherlands.
24-28 February 2016
Hall 9, OP02
Feria de Madrid
Titled Momentary Monuments, the new installment of Collection on Display scheduled to open in February 2016 will present works that examine the significance and function of monuments for a larger exploration of memory and forgetting. In the perspective of art history, the evolution of sculpture is closely intertwined with that of monument culture. Effigies of rulers, equestrian statues, and monuments always reflect the tastes, worldviews, and designs of the powerful patrons who commissioned them. Yet they also illustrate contemporary developments in the discourse of art. Monuments served—and still serve—to propagate the prevailing ideas of their time and visualize the interpretation of events and personalities the ruling élites hope to enshrine in history books and collective memory. In contemporary art, the idea of the monument has become a focal point for artists’ engagement with the question of who determines how history is written and the representation of power in the public arena. The exhibition Momentary Monuments combines works from the collection familiar to our regular visitors with others that have rarely been on view and several new acquisitions that will make their début in Zurich.
Collection on Display is curated by Nadia Schneider Willen (Collection Curator, Migros Museum für Gegenwartskunst).
Opening: Friday, 19.02.2016, 6–9pm
Art & Anthropology. Ethnographische Bezüge in der zeitgenössischen Kunst
The exhibition pairs artists together who use ethnographic tactics to decode images of Otherness and find strategies for co-habitation, togetherness, and community: states of being so paramount in our modern times. Showing alternative perspectives, dialogues from the so-called „Other,“ the artists employ various media from film, photography, installation, and object installments. The works lead us from the terrains of Mexico, Argentina or Namibia, and with this travel, the artists open up a space of poetic possibility.
Exhibition: January 23rd – April 3rd, 2016
Opening: Friday 22nd, January, 6pm
Artist Talk: Sunday 24th, January, 12pm
Curator led tour: Friday 19th, February, 7pm
Lecture with discussion: Sunday 21st, February, 12pm
Galerie im Körnerpark
Schierker Straße 8
Tuesday to Sunday 10–8pm (entrance free)
Secret Agent is a group exhibition composed from the viewpoint of feminist authorship in contemporary art practices. The exhibition is curated by Hemera Collective, a UK-based curatorial collective that specialises in photography and lens-based media, with research interests that range from social history and environmental subjects, to literature and contemporary art.
Exhibition: January 9th – 30th, 2016
Symposium: January 16th, 2016 (play)ground-less: Collaboration, Creativity, Authorship: A day of talks and performances
Events: January 23rd, 2016 (all day) Wiki-edit-a-thon: Exhibition Histories
1 Andrews Road
E8 4QL London
All events are free and open to all. Please RSVP to email@example.com for further details.
On cliches and other structures. An interview with Mathilde ter Heijne
Interview on recent work featured in Magenta Magazine. Magenta is an online magazine dedicated to contemporary art photography in Poland and beyond.
Ontology of the In-Between will be shown in Monitoring in Kasseler Dokfest, Kunstverein, Kassel. Monitoring provides a space for film and video-based installations and other time-based media works of recent years that require presentation formats beyond the classic cinema screen.
Kasseler Kunstverein (Fridericianum, Friedrichsplatz 18)
Wed, Nov 11, 7 – 11 p.m.
Thur – Sat, Nov 12 – 14, 11 a.m. – 10 p.m.
Sun, Nov 15, 11 a.m. – 7 p.m.
FIVA fifth Edition
Lament, Song for Transitions will be shown in the fifth edition of FIVA International Festival of Video Art Buenos Aires, Argentina 2015 on:
Auditorium David Viñas of the Museum Book and Language
December 1st & 2nd
auditorium Jorge Luis Borges of the National Library
Review of Ontology of the In-Between in ArtForum
Critic Pick by Max Glauner featuring a review of Ontology of the In-Between at Rotwand Gallery
Spiegeloog, Museum Arnhem
Museum Arnhem presents Spiegeloog, a survey of portraiture in Dutch art from the early 20th century to the present.
Featuring work by Mathilde ter Heijne.
03.10.2015 till 24.01.2016
Performing Change, Archive Books
Join Mathilde ter Heijne and panelist Amy Patton, Michael Birchall, Janne Schäfer, Santiago da Silva, Vanessa Gravenor, and Sophia Trollman on September 24th 6pm at Archive Books for a conversation coinciding with the launching of the book Performing Change.
September 24, 6pm
6 o’clock news
Areena TV, 6 o’clock news feature of Woman to Go
ABC, Berlin Art Week
Presentation of Ontology of the In-Between by Rotwand Gallery
Exhibtion: Opening Thursday September 17th
Luckenwalder Strasse 4—6
U-Bahn Gleisdreieck (U1, U2)
Hemera Collective: Secret Agent
Group exhibition including the work of Judith Barry, Beth Collar, Chiara Fumai, Mathilde ter Heijne, Maud Salter and Niina Vatanen.
Exhibition: September 4 – October 16, 2015
Suomen Valokuvataiteen Museo
The Finnish Museum of Photography
The Cable Factory
Ontology of the In Between
Solo exhibition by Mathilde ter Heijne
Opening: Wednesday, August 26, 2015, 6 – 9pm
Exhibition: August 27 – October 10, 2015
Aktuelle Positionen der Klangkunst, Medienkunst und experimentellen Musik in und um Haus Kemnade
Das temporäre Kunstprojekt Kemnade klingt! lässt das barocke Haus Kemnade zum Spielort aktueller Klang- und Medienkunst werden. Die künstlerischen Interventionen erstrecken sich dabei auf die unterschiedlichen Funktionsbereiche des Hauses, beziehen die Präsentationsräume der Musikinstrumentensammlung ebenso sowie den Kunstvereinsraum, aber auch den Außenbereich mit ein. Als Werke der aktuellen Kunst treten sie in Wechselwirkung mit dem Bestehenden, nehmen formal wie inhaltlich auf das barocke Gebäude und den Bestand historischer Musikinstrumente Bezug, generieren neue Bedeutungsbeziehungen, stellen andere und unerwartete Kontexte her und eröffnen somit nicht zuletzt neue Perspektiven auf das Haus und seine Sammlung.
1.8. – 18.10.2015
Kunstverein Bochum e.V. / Haus Kemnade